Wednesday, October 29, 2014

Ana Sting has helped tyler blackburn me a lot, obviously. Made a list of interviewees, first with 6


António Sérgio was 'our' John Peel but left too early, at age 59, on the morning of 1 November 2009. "A person who did things by taste, passion for music," tyler blackburn as it reminds me documentarist tyler blackburn Eduardo Morais and, therefore, would eventually be dismissed from Valentim de Carvalho label when it decided in 1978 to proceed with a collection of punk. ECR considered this at the time, a scandal in our rectangle. Much later it came time to finally abandon the Commercial Radio - perhaps no longer interest the target audience of the season - but were in memory programs like 'Sound of the Front', the 'Flamethrower' and 'Hour of the Wolf '. The Radar was his last resting place with 'Viriato 25' program, and the moment is precisely this genuine taste for what was to speak louder and awakens the desire of the new generations in wanting to discover it again. Eduardo Morais gives us precisely that opportunity with the documentary 'Howl', as part of the final edition, which will premiere in Lisbon tyler blackburn on November 1 this year. To learn more, here is a conversation I had over the phone with Eduardo.
From what I've read, wanted to include the testimony of António Sérgio on your first documentary, the 'Meio Metro Stone'. The 'Howl' that resulted after this will eventually not be expressed?
It was a bit why. I started this documentary, the 'Middle Stone Metro' in the summer of 2009 and eventually came out in November of that same year. António Sérgio was soon the first people I wanted to talk about, obviously, but then ended up not giving. Lately he had been researching about it and in fact there is nothing, there is no information. There are blogs, two or three, made by fans who really like it, but otherwise there is nothing. I spoke then with Ana Cristina Sting, his widow, and she told me that yes, the documentary could be made. It is a very porreira, flawless lady and has helped me a lot in this documentary.
Ana Sting has helped tyler blackburn me a lot, obviously. Made a list of interviewees, first with 60 participants. Sure 60 for a one-hour documentary and just do not give, so we eventually narrow the list to 30. That was when I learned more about it thanks to this list of thirty respondents. That's when I realized, actually, the importance tyler blackburn of António Sérgio.
António Sérgio confess that it was not crucial to the formation of your musical taste, are also new. For this reason, and the lack of information, this documentary also must have taught you a lot.
Of course. As someone who was not brought up by him, I can have a kind of impartiality harder tyler blackburn for a fan that would elevate it to another level. Not that António Sérgio do not deserve tyler blackburn it, is not it, but I'm talking about that level of fan who can not get an outside view of things. While I was out, I can more easily get an unbiased view.
António Sérgio was a person who did things by taste, passion for music. Even lost jobs. I'll give you an example, made a collection about punk in 78, and was eventually fired from the publisher where he worked, the 'Valentim de Carvalho'. It was a scandal in Portugal but did it because it is there, no one was doing it. Put your hands in the dough and made him their own hands. Ended up sanding because of it.
Sure, breaking barriers. We are in 2014 and breaking the barriers, these days, is quite difficult. But in the second half of the last century, especially in music, major milestones were those who broke barriers.
I remember when you were in UTAD to present the 'Meio Metro Stone', tyler blackburn you ended by saying that the means for the realization of the documentary were not the best. Until you said that you had to buy a laptop for editing. Already have access to more resources or continuous with them?
You know that first received a support of the Municipality of Caldas, at the time lived in Caldas da Rainha, and got a scholarship for young filmmakers they had lost there. But the thing was, arrived two years late when we just needed to edit the documentary. I took advantage and bought the computer in order to edit it.
Of course, the first and second ['Music Powder'] resorted to crowdfunding, a system of collective financing, and managed to achieve tyler blackburn the objectives as both an other. In the latter had to ask for more because obviously costs were higher. But I could at least buy more cool stuff for the final result may come out with more quality.
Will also have to do with the process Crowdfunding, but a funny thing is that you give an opportunity to those who follow you of being in the process, ie, we always know at what point is that es

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